On Submission

I’m pretty sure I ended my last post with the promise of posting another very soon — and then in true Lucy style, didn’t post again for two years. I never mean to do this. As I’ve mentioned before, I’m a socially anxious girl and blog posts often feel like the online equivalent of running naked through town screaming “look at me, look at me!!“, so in times of stress, busyness, and pandemics, it’s generally easier to avoid them entirely.

But I’m back! And I have news!

While many people spent 2020 baking bread, training puppies, and getting into houseplants, I wrote. In the last two years, I wrote something ridiculous like 350,000+ words towards my new book, in the form of first to fifth drafts, a sixth draft with the help of my agent, and a huge dollop of polish. And now, in 2021, I have a finished book that’s ready for the next step:

Publishers’ inboxes.

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That One Yes


Querying literary agents is often a slog, lasting multiple years and multiple manuscripts, generating dozens, hundreds, maybe even thousands of rejections — but in the end, you only need one agent to love your book. That’s it. One query, one agent, and one yes.

Well, two months ago, I got that yes.

I am incredibly happy to announce that I am now represented by literary agent Luigi Bonomi of LBA!

I’m so excited to work with the LBA team on the books I love — psychological thrillers with dark twists, emotional arcs, and positive feminist messages — and I really hope we’ll be able to share these stories with you soon. (Although “soon” in publishing terms is roughly a decade, so…)

I’ve wanted to be a published author since I was little, and being noticed by an agent feels like taking a huge step towards that dream. There’s plenty more hard work to come and absolutely no guarantees of anything, but for now, I’m happy and proud and excited and all those other good emotions, and I can’t wait to see what happens in the autumn.

I’ll write a proper “How I Got My Agent” post with all the details another time, but for now, I just want to put this marker down:

I finished a book, I put it out there, and I found an agent who believes in me.

Take that, depression.


As I wrote in my last post, Just Press Send, I’ve taken the first step in my publishing journey and started querying: sending my work out to literary agents in the hope that one of them will want to represent me as a writer. While there are other routes to getting a novel in print — self-publishing, indie presses — I’ve always wanted to be traditionally published and see my books for sale in a real-life bookshop, and for that a literary agent is essential. So three weeks ago I got all my files together, wrote a kick-ass query letter, and sent a volley of emails to agents who I hoped would be interested in my dark, female-focused psychological thriller, THE GIRL YOU LEFT BEHIND.

And… that was it.

I was nervous about pressing send because that one click represented all my fears about this journey — from receiving nothing but rejection to the potential stress of mega-success, and all the cringey social interaction in-between. But that one click is also significant because it’s the very last time I get to have any control over my submission: once it’s sent, there’s nothing else I can do. An agent will like it and request the manuscript, or dislike it and reject it, and the only way I can sway them is with the words already on the page.

Once the query leaves my email account and lands in theirs, its fate is completely out of my hands.

So while a lot of writers talk about querying like it’s an on-going process or a state of being — “Oh yeah, I’m querying right now, too,” — it’s actually more like a form of stasis. It’s a verb in the sense that we actively cause it by sending the emails, but the effect has a huge delay. There’s a gulf between pressing send and getting an answer — an anxious, swirling gulf.

So I’m not really querying right now. I’m in querying limbo.

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Just Press Send

On Friday morning I sat in bed with various empty chocolate wrappers around me and two dozen drafted emails on my laptop screen. After years of work on THE GIRL YOU LEFT BEHIND, I was finally ready to go: book completed, literary agents researched, queries typed, email addresses copied, and files attached.

There was nothing stopping me from taking this next exciting step in my life – except for me.

I couldn’t press send.

Press Send

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The End

A lot has changed in my life in the past three years, but there’s been one constant: my novel, The Girl You Left Behind. It’s been my shadow, growing and evolving from a dream-inspired scrawl in a notebook to a first draft, a second, a third, a fourth, and now, finally, into a finished product.

For the first time since 2015, I am no longer writing a book — I have written it.


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2017 — Only the Good Stuff

A year is a big ol’ chunk of time. While 2017 easily wins the title of Worst Year of My Life So Far, these past twelve months have also been peppered with positives. Between the sobbing fits and long tearful walks and whole evenings spent pouring my heart out on Reddit, I did so much. I traveled. Danced. Made new friends. Reconnected with old ones. Went to shows. Saw movies. Played games. Read. Wrote. Learned to be happy again.

Somehow, in the midst of crippling situational depression, I managed to carve out a handful of distinct happy memories that no one can take away from me. And however lame or unimportant those memories may be, I think that’s something to be proud of.

I’ve spoken enough about the thing that made 2017 so awful for me. This time, in the spirit of 2018, I’m focusing entirely on the good, amazing, awesome things that happened while I was too busy being sad to notice.

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Daily Mail First Crime Novel Competition 2017

I’m thrilled to announce I’ve been selected as a runner-up in this year’s Daily Mail First Crime Novel Competition for my psychological thriller THE GIRL YOU LEFT BEHIND!

[Cue confetti, champagne, and a whole bakery of cake.]

The novel, which is set over a single day, tells the story of a troubled young woman taken hostage in her own home by men trying to rob her wealthy father — and her attempt to escape her captors before they uncover the dark secrets of her past.

Being a finalist is surreal. I didn’t believe it at first. I found out when legendary literary agent Luigi Bonomi called me on an ordinary Tuesday morning, praising my book and saying it has the potential to get published, and by the time the call was over I thought I may have dreamt it! But here it is. Officially. In the actual Daily Mail newspaper and online:


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Holiday Healing

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Despite being a heartbroken wreck who cries all the time and sometimes can’t pluck up the courage to leave the house, I made myself a promise in my last post. A promise that I’d try to enjoy my upcoming family holiday as much as possible. That I’d smile. Wear bikinis. Eat too many desserts.

And I did.

It wasn’t easy. I cried in the shower. In bed. In my dark room before the door even had time to shut behind me. I swam alone in the pool one morning, sobbing, because the “soothing” songs the hotel had picked were all about love and romance and happiness.

But I smiled, too. I laughed when my brother’s grumpy mini dachshunds gave up avoiding rock pools on the beach and jumped right in. I screamed in the crazy Atlantic waves. I basked in the sunshine and heat and good company. I cracked jokes. Took pictures. Dressed up. Did my hair. Ate SO MANY desserts.

For the first time in months, I had prolonged periods of not feeling depressed. Not hating myself. Not thinking about the thing I need to stop thinking about.

And it was fucking fantastic.

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The Dangers of Imagination

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In a way, my imagination and ability to daydream is a gift. It lets me think up complex stories, work out plots and characters and settings, and fills me with joy when I get lost in a wonderful vision for a minute, an hour, an afternoon. It makes me a great storyteller. But it’s not just fiction I think about. There are memories, faces, people, experiences. Real ones. I like to replay good moments, imagine conversations in my head, think about the future and all the wonderful things it holds.

When I was happy and in love, this was amazing. Every day was full of exciting, real possibilities and smiles and hopes.

Now that I’m heartbroken? Not so amazing.

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Writing Through Heartbreak

Writing Through Heartbreak

I met up with an old friend a few weeks ago. We chatted about a lot of things, reminiscing and swapping stories, and she mentioned she hadn’t seen any blog posts from me in a while. “Have you been too busy being happy?” she asked, smiling.

And I cried.

Because for seven months, that was the case. After years of loneliness and sadness and self-doubt, I had a boyfriend. A real, wonderful boyfriend who I adored. And that meant dates, doorstep kisses, tight embraces, in-jokes, late-night chats, hours and hours of eye contact, whispered promises, smiles, squeezed hands, ‘I love you’s, and a feeling of happiness and safety and worthiness I’d never, ever felt before.

And then he broke my heart.

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